![composer of the walking dead theme song composer of the walking dead theme song](https://i.ytimg.com/vi/nQP5GQvpyI0/maxresdefault.jpg)
![composer of the walking dead theme song composer of the walking dead theme song](https://m.media-amazon.com/images/I/71zDPFadHKL._SL1200_.jpg)
I didn’t even know any aspiring filmmakers. I almost had a crisis, where I just had to know if I could do it-if I could score a film, if I could come up with something interesting and develop it over the length of a movie. When Tombstone came out, I was like, “I’m going to write a Western.”īut I would say that the real turning point for me when I was 16. I would write music that sounded like action music or science fiction or horror. I started trying to imagine music in the style of my heroes, and I would just start writing themes for different genres. I would want to learn cues from Star Wars, I’d want to learn the theme from The Simpsons, I would want to learn anything that I could either transcribe or find an arrangement of. I was doing a lot of piano arrangements of my favorite film music, and that’s all I ever wanted to play when I would work with my piano teacher. I started really trying to write my own music when I was about 11, and I had been taking piano lessons. Did you hear the French horns? Wow.” That was just my upbringing, so maybe it was just destiny that I would end up doing this.ĭo you remember a moment when you transitioned from appreciator to creator? Some sports announcers say that they would watch sporting events and narrate them to practice. Every Monday I would be like, “Did you guys hear that new Jerry Goldsmith score this weekend? Oh my gosh. I was definitely following their careers the way that all my peers would be following an actor or an athlete.
Composer of the walking dead theme song movie#
These are all composers that I started to follow, and certainly by the time I was 10 or 11, I was finding whatever movie I could find just to hear the music by one of my favorite composers. Maybe even, really far back, The Secret of NIMH by Jerry Goldsmith. I don’t recall there being one score more than a few others, but certainly among the very first scores that caught my ear were Back to the Future by Alan Silvestri, The Empire Strikes Back by John Williams, Pee-Wee’s Big Adventure by Danny Elfman. How did that happen? Was there one score that turned something on inside you, or was it kind of a cumulative process? You grew up listening to film scores the way that many people might listen to pop music. Note: This interview has been edited and condensed. But in recent years, he’s also branched out into other areas, eager to avoid being pigeonholed as someone who’s best suited to certain genres.īelow, we discuss McCreary’s composing idols and origins, how the projects he chooses reflect his tastes, his aversion to being typecast or developing a distinctive style, his composing process, his God of War score, and more. As much as any other contemporary composer, McCreary is the sound of sci-fi. Most of his well-known work-which sometimes features his wife, singer-songwriter Raya Yarbrough, and often incorporates musical instruments and traditions from around the world-has been concentrated in science fiction, fantasy, and horror.
Composer of the walking dead theme song tv#
In the 14 years since his big break on Battlestar Galactica, the 39-year-old McCreary has created the soundtracks to dozens of TV shows, movies, and video games, many of which he’s blogged about in great detail. McCreary’s music has recently been featured in God of War, The Walking Dead, The Cloverfield Paradox, and Happy Death Day in the past two years, he’s also worked on Black Sails, Colossal, and 10 Cloverfield Lane, among other projects. Shortly after I spoke to the L.A.-based McCreary last week, an office email mix-up resulted in a message about scheduling a spotting session being sent to me, as if merely talking to McCreary by phone was enough to send moviemakers flocking my way. Those projects, presumably, are different from the three upcoming 2018 films that are already displayed on his crowded IMDb page. He’s also completing scores for two features that haven’t yet been announced. and he’s about to begin scoring Season 4 of Outlander. He’s finishing scoring the fifth season of Agents of S.H.I.E.L.D. Composer Bear McCreary is, as always, in the middle of many projects.